Struggle session theme song
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I only left the auditorium twice, for no more than two minutes (it was all I could bear.) And when I left for good, shortly after midnight, I was fully satisfied and yet still ready for more. I was never turned off, or overwhelmed in an unfavorable way. the back of the house – to an increasingly crowded turn-of-the-century “Jewish tenement” represented by the stage second, along with every other male in the audience between 14 and 40, as a WWI conscriptee.) And I was never bored. I was engaged more or less instantly – for one thing, I was called onstage twice within the first two hours (first as part of a wave of immigration from “Eastern Europe” – a.k.a. Not everything in the twelve hours worked, of course, but an astonishing amount of it did. Here’s the funny thing though: it really wasn’t. (It’s been presented as an uninterrupted 24-hour marathon only once – in Brooklyn two years ago – but the Philadelphia iteration notches a solid runner-up in the insanity stakes.) Still, much too much seemed like a foregone conclusion. Actually, this was only the second half of what is, in full, a twenty-four hour work, the first twelve hours of which – covering the decades between 1776-1896 – were staged a week prior. How could it possibly not be? We’re talking about a non-stop, twelve hour long performance an epic history-inspired drag cabaret-as-endurance feat, featuring upwards of one hundred songs – roughly ten per hour, or per decade since the starting point of 1896. What I was about to experience, whatever it turned out to be, was definitely going to be way too much.
#STRUGGLE SESSION THEME SONG MAC#
Taylor Mac | photo courtesy of the artistĪs I entered the Merriam Theater on Saturday, June 9th, as the PIFA street festival was slowly whirring into life outside on South Broad street, I braced myself.